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"No, but they are," she says, pointing to her two faithful companions, who are staring hungrily at Rodney and evidently only awaiting the word from Mona to fling themselves upon him. Her coming is a thunderbolt, her speech lightning. Lady Rodney changes color, and is for once utterly disconcerted. "Yet the Princess D—— always calls her train a 'tail,'" says Violet, turning on her piano-stool to make this remark, which is balm to Mona's soul: after which she once more concentrates her thoughts on the instrument before her, and plays some odd old-fashioned air that suits well the dance of which they have been speaking..
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"Besides, I do not understand what you mean," says Geoffrey, still regarding his mother with angry eyes "Why connect Mona's absence with Paul Rodney?" "Quite sure," returns her future mother-in law, grimly. "I never speak, Dorothy, without foundation for what I say." "I wonder what kind of songs you like best," says Mona, dreamily, letting her fingers run noiselessly over the keys of the Collard. "If you are like me, you like sad ones." She went on to say, "You stay here for a time and I will go over there to the ghosts' camp and try to bring back some of your relations who are there. If it is possible for me to bring them back, you may return there with them, but on the way you must shut your eyes. If you should open them and look about you, you would die. Then you would never come back. When you come to the camp you will pass by a big lodge and they will ask you, 'Where are you going and who told you to come here?' You must answer, 'My grandmother, who is standing out here with me, told me to come.' They will try to scare you; they will make fearful noises and you will see strange and terrible things, but do not be afraid.".
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